Thorn: ‘The pitcher’s art’ with Tim Murnane

From SABR member John Thorn at Our Game on May 26, 2015:

I spotted this in the Brownstown, Indiana Banner of July 8, 1887, but it originates with the Boston Globe, for which Tim Murnane long served as sporting editor and columnist. I wrote elsewhere at Our Game: “In 1886 Murnane was engaged, together with John J. Drohan, to do baseball work as a staffer for the Globe. When Drohan soon left, Murnane was given full charge, rising to head the entire sports department for a generation….When he died at age 65 he was not only the voice of baseball in Boston; his opinionated style had become a national institution.” Much more about “The Silver King” here:

Clever and Scientific Curving, Shoots, Raises and Drops from the Box.

It was by slow stages, writes T. H. Murnane, that the present high standing of the pitcher’s art was attained. Arthur [“Candy”] Cummings, a Brooklyn youth, was the first to bring into use the out-curve. H e was known as the boy wonder, back in 1869, with the Stars, of Brooklyn. I have heard him tell how he first discovered the curve. He was pitching against a picked nine one day and noticed the ball curving. He had no difficulty in striking the batsman out, and went home that night and  tried to study out the phenomenon. The next day he invited some gentlemen friends out to see him work. They laughed at him, and when he tried to convince them that he could accomplish what he claimed he failed, as no doubt in his anxiety he sent the ball too fast, and very little curve can be got on a speedy-pitched ball. He was not discouraged, however, but went out with his catcher the next day and learned that the curve came from a certain twist he gave his wrist. He worked hard until he go  good control of the new move and then astonished the scientific world. Cummings was of slight build, his pitching was very graceful, and his curve was of the sailing kind, much like Caruthers’ of the St. Louis Browns.


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Originally published: May 26, 2015. Last Updated: May 26, 2015.